I feel like I have been a Kaleidosope artist forever. Growing up I was part of a busy and curious family. I made my first scope when I was nine from old encyclopedia instructions.
In the early 1970's, after college (BFA Painting) and graduate school( Art History/Art Education) I taught briefly until kaleidoscopes became my life and livelihood. Since then I have designed of hundreds of kaleidoscopes. I have had two books published; The Kids' Book of Kaleidoscopes, 1994, and Kaleidoscopia, 2014. In both of these books I tried to share my love of kaleidoscopes by passing to others many ways to make them and information to stimulate new ideas.
My love of Cozy Baker motivated many new ideas and designs. She was an inspiration that continues to push the BKS forward. Along with Sherry Moser and Charles Karadimos, I was honored to be part of the trio of directors that helped the BKS to transition and become what it is today.
A grand surprise was mine in 2018 when the BKS awarded me the Cozette Award. I still burst with pride.
In 2019 I changed my life by passing on the reigns, wheels and mirrors of my business, C.Bennett Scopes, to Lisa Hill / Cape Kaleidoscopes. This does not mean I am walking away from a lifetime of kaleidoscope discovery but I am walking away from the “business”. The designs and company I have built was not something I wanted to disappear. When Lisa offered to take over, it was the magical turn of events that pushed it into reality.
I am now devoting time to the many things I have put aside for so long. See ya at the Expo!

Update 2021: Clarkdale Az. I moved here in July 2020. The visions and beauty here in the southwest astound me every day it is like living inside natures kaleidoscope.

I started out in the early 1980's as a mechanical engineer working to design and install modern sailing rigs on cargo ships. From there I worked at a place that designed and refined medical equipment. It was there that I discovered modern kaleidoscopes in a gallery near where I ate lunch. I thought to myself, "I could make these." Four months later I was laid off. This was in 1987 and it was time to go somewhere else, so I moved from Boston to Colorado. I have been making kaleidoscopes in one form or another ever since.

I have been fascinated by kaleidoscopes my whole life. After a crude attempt at building one as a change of pace from making furniture, I was hooked. When I decided to get serious and step up my craft, I drew from my woodworking background to make my scopes. The two things I like most about making kaleidoscopes are the combining of the multiple disciplines needed in their construction, and the first time I get to look through my latest creation.

Dr. Suz Burnham is a veterinarian with a life-long interest in artistic pursuits. She comes to kaleidoscope designing from a long time interest in ceramic art. Her primary interest has been for making animal sculptures and firing them with raku flash glazes. To design her kaleidoscopes she draws on her skills in throwing, hand-building and altering forms of extruded clay. The pieces are then fired in oxidation or reduction kilns, wood firing kilns and raku using both ready-made glazes and glazes made in the studio.

R Scott Cole has been designing innovative kaleidoscopes since 1983. His work has been exhibited in museums and galleries across the United States and has been featured on television in addition to numerous books, magazines, and newspapers. The primary force in his artistic development has been exploring how different materials can be utilized creatively in kaleidoscope design. Consistent with much of his life's work, he enjoys teaching and has conducted workshops in many locations, including Penland, John C Campbell Folk School, Thailand, as well as numerous Brewster Kaleidoscope Society Conventions and other locations across the country. His latest project is a 40-foot, interactive, walk-in silo kaleidoscope. His home and Laughing Eye Studios are in Brasstown, North Carolina

Kaleidoscopist since 1984

I'm a kaleidoscope-makin', motorcycle-ridin', furniture-buildin' grandpa (not necessarily in that order!

After many years of admiring and collecting kaleidoscopes, in 2017, I had the opportunity to take a week long class at John C. Campbell Folk School in the creation of kaleidoscopes. After a week working with Marc Tickle, I was totally committed to learning as much as I could about designing and making kaleidoscopes. I have been a wood carver for most of my life and wanted to use this skill, along with working in stained glass, to build unique works. Since then I have designed and made many original pieces. In June of 2019, I attended the Brewster Society International Kaleidoscope Convention in Scottsdale, AZ, to exhibit my scopes and unveil one of my hand carved. I exhibited again in 2022 at the Convention in St. Louis and the Foundry Art Center exhibit in St. Charles, MO.
I currently exhibit my kaleidoscopes at Reflections Gallery in Chattanooga, TN, and with the Association for Visual Arts in Chattanooga. In the past, Hunter Museum of Art has displayed pieces.

We've both always been attracted to shiny, sparking, colorful objects. It's no surprise we work with metals, gemstones, and glass. Our jewelry kaleidoscopes combine multiple mediums that incorporate all the things we love. The kaleidoscope chambers are filled with beach, recycled and dichroic glass. Some pieces also include tiny shells and coral. We collect all the recycled glass from everywhere we go and the beach glass, shells, and coral at our favorite beaches in California and Kauai. That's a really fun perk!

Stephen Hopkins is an experienced wood artist who creates the beautifully crafted exteriors, as well as the mirror systems. He has been making kaleidoscopes for over 25 years. His wife. Sherry, is a watercolor artist who is now creating the lamp-worked pieces and found-item object cells.

After individually completing our life careers, we found each other and embraced the different ways in which we saw the world. This was expressed in the first kaleidoscope we made together in which two people look at the same object and see it differently.

Charles Karadimos began working with stained glass in 1975 and made the transition exclusively to building glass kaleidoscopes in 1980. In the early days of the kaleidoscope renaissance, his main focus was concerned with creating crisp, vibrant, interior images and exploring and developing mirror systems with crystal clear optics that would produce rich, ever-changing patterns. And he has worked very hard towards mastering the development of the perfect kaleidoscope image. For without the image, it just isn't a kaleidoscope. Charles has designed and built thousands of kaleidoscopes, making each part of every scope by hand. There are no machined parts. Every piece -- down to the smallest shard of glass in the object chamber -- is hand worked and individually selected. All of his scopes feature a multidimensional slumped glass exterior, very nice to hold or display. Every piece is an original, signed, and numbered work of art. Charles' work is exhibited in many galleries, museums and private collections throughout the world. His work is featured in many books and publications and he is the recipient of numerous awards, including the Brewster Award for Creative Ingenuity. From November 2003 until January 2013 he served as one of the Directors of the Brewster Kaleidoscope Society, the international organization of kaleidoscope enthusiasts.

Peggy and Steve began their journey in glass in the late 1970's, executing traditional stained glass designs both leaded and the Tiffany technique, and began fusing glass in the early 1980's. A meeting with kaleidoscope artist Steven Gray changed their trajectory into making kaleidoscopes and they began creating fine handcrafted kaleidoscopes in 1986. They have become known for their classic 2-mirror imagery, and the highest quality optical reflections defined by the incredible display of miniature glass sculptures found in the object chambers. Each kaleidoscope is a collaboration of both of them, Steve's fusing skills result in clean, crisp definition of design often requiring multiple firing and annealing, and his optics using front-surface mirror create images of the highest standard. Peggy's flame-sculpted glass pieces floating in the oil-filled object chambers are among the most beautiful to be viewed through a kaleidoscope. Their work has been included in many exhibits: Strathmore Hall Art Center in Rockville, Maryland; the National Quilt Museum Kaleidoscope Exhibit in Paducah, Kentucky; Milwaukee Art Museum in Milwaukee, Wisconsin; the Museum of Northern Arizona in Flagstaff, Arizona; American Folk Art Museum in New York, NY, & Akron Art Museum, Akron, Ohio as part of the Paula Nadelstern Kaleidoscope Quilt Exhibit; a permanent kaleidoscope exhibit at the Teruko Tsuji Memorial Art Museum in Sendei, Japan; the Kaleidoscope Museum of Kyoto; many of their pieces are in the Cozy Baker Collection; and they have exhibited at Fine Arts and Crafts Shows including the prestigious Smithsonian Craft Show. They have been recognized with numerous awards given at Brewster Kaleidoscope events and glass competitions.

Sheryl has been making kaleidoscopes since 1980. She has been a stained glass artist since the early 1970's and has combined the 2 art forms over the years to create many beautiful kaleidoscopes! Known in the kaleidoscope world for making turning wheel kaleidoscopes early on, she now likes to experiment and incorporate different mediums into her kaleidoscopes such as copper metal working, and enameling, and torch work. Working with color is her life's work and the freedom to experiment and 'play' with new things is her inspiration.

I was raised in a kaleidoscope. My dad's barber shop was lined with mirrors and I could never count how many times I could see myself. I accidentally took a kaleidoscope class and immediately I was hooked; so many types of scopes, such beautiful images, infinite variety. It can't get better than this.

I started creating kaleidoscopes in 1998. I have won several awards at the exhibitions in Japan as well as in the US. I have won the People's Choice Award at Brewster Kaleidoscope Society's conventions 5 times since 2007.

I have been building houses, furniture, cabinets and other products for the home for more than fifty years. Much of my furniture and cabinet making has been influenced by the simplicity of the designs developed by the Shakers. Doing custom work is very challenging and rewarding when I am able to turn someone’s ideas into a completed project. I have worked with many types of wood but I think I appreciate working with re-purposed wood most of all. You are not always sure what it will look like until you start to cut and sand in order to see how beautiful it can be. A perfect example of this was when I purchased some old Pine that was almost black. After it was cut to size and sanded and made into a harvest table did its real beauty emerge with a deep rich golden patina.

My work with Kaleidoscopes started in my thirties when I bought my first scope. I was fascinated with the amazing image that appeared when I looked at it for the first time. I didn’t know how it worked but it was mesmerizing and relaxing at the same time. Since then Cindy and I have grown our collection to more than two hundred kaleidoscopes. They are everywhere in our house, even in the bathrooms. We started making kaleidoscopes when we participate in the annual Nellie Bly event in Jerome when we attended four classes where we made a Kaleidoscope in each class. As a result, we added eight more scopes to our collection. We have attended the annual event every year since. Currently we are creating kaleidoscopes of our own design. We primarily use wood, fiber clay, and stained glass. Two of our strangest designs include Cindy’s fiber clay Javalina and mine made from cocktail shakers. Almost anything can be made into a kaleidoscope if you just use your imagination! Kaleidoscopes are truly an art form where art and science come together to create amazing images that continually change.

I have been designing and creating Kaleidoscopes for over 35 years. My work is in private collections as well as museums and galleries all over the world.

I have long had a passion for visual expression and a love for kaleidoscope imagery. My primary focus in kaleidoscope building/design has been geared towards the integration of a smartphone mount at the far end of the scope. My scopes are all stand alone kaleidoscopes but but adding the phone the truly come alive with infinite viewing/recording possibilities.

Jim has been a stained glass artist for over 25 years, focusing primarily on designing and creating one of a kind windows. He started making stained glass and stone kaleidoscopes in 2015 in earnest. Using semi-precious stone slabs allows him to create one of a kind hand-held and parlor scopes. The kaleidoscopes that Jim makes are available on his Facebook page , through his Etsy store: nebraskascopesstudio, or locally in the Midwest at Custom Gems, 8487 Frederick St. Omaha, Ne and the Passageway Gallery in the Old Market area of Omaha.

His work can be seen and purchased via his Facebook page or in his Etsy store: nebraskascopesstudio.

https://www.etsy.com/shop/NebraskaScopesStudio

Santa Barbara, California based artist David Sugich creates a series of wonderful kaleidoscopes with a wonderful assortment of colors and textures of stained glass fitted with colorful bead-filled wands that help create a beautiful expression of color with every turn.

My kaleidoscopes are not your typical everyday kaleidoscopes. I make a variety of 2-, 3-, and 4-mirror kaleidoscopes which are 2, 2.5, and 3-dimensional in nature. I use domestic, U.S. made, colored glass as the decorative exteriors, and dynamically moving, sparkling oil for the object chambers at the end of the mirror systems.

I am a relatively new kaleidoscope maker, currently focusing on teleidoscopes and the magic that they bring. I look forward to improving my techniques and creating an increasingly perfect reflection in my work of what I see in my head and feel in my heart.

We began making kaleidoscopes in 1994. Our first product was a kaleidoscope kit that we marketed to Junior Achievement Companies to be used as a product the kids manufactured and then sold. We were both JA advisors and though the kit was a great project for the kids, it didn’t provide us with much of a challenge or creative outlet. We began making different kinds of scopes; creating different body styles and discovering different ways to create the images. We learned how to put together boards to create inlay to use in some of our scope bodies. As we learned more about kaleidoscopes, we became involved in the Brewster Kaleidoscope Society, a group of kaleidoscope artists, collectors, and shop owners. This gave us the opportunity to meet many of the people in the kaleidoscope community where we formed connections that both helped us to grow as artists, and to sell our scopes in shops around the country.

I grew up in the south of England where I studied mathematics, psychology and computer programming before discovering the beauty of art glass and kaleidoscopes. I now live in Asheville, North Carolina with my wife and our two sons. I design and make my pieces in my home studio.

Laura Wilde is a San Francisco, California area artist who has been making kaleidoscopes for approximately 20 years. She attended Santa Clara University where she obtained a degree in Fine Arts. Her background includes positions in the print industry and various hand-production arts and crafts.

I have been making kaleidoscopes since 1992. I use stained glass as one of the major materials for making my kaleidoscopes. I own my private kaleidoscope making school in Tokyo. I have formed a group called " ART KALEIDOSCOPE JAPAN" to promote awareness of Art Kaleidoscopes to the public